Senin, 18 September 2017

PDF Ebook

PDF Ebook

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PDF Ebook

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Product details

File Size: 20910 KB

Print Length: 504 pages

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: Addison-Wesley Professional; 2 edition (April 19, 2010)

Publication Date: April 19, 2010

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B003LL2TP4

Text-to-Speech:

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Amazon Best Sellers Rank:

#934,584 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have to admit that I am not a Perl aficionado. While there are things about the language that don't appeal to me (this is true of any language), the truth is that I don't really "think" in Perl. There are other languages that are more suited to my thinking process.That said, there are times when Perl hits a "sweet spot": a) it is available on for all Linux distress; b) it integrates well in the shell environment; c) it easily replaces multiple shell-based utilities (sed, awk, bash, etc.); and there are modules to interact with the entire application stack. It is a useful tool and I needed to find a way to gain a appreciation for it.Enter Effective Perl. I was introduced to the first edition of the book some time ago. The company that I worked for was transitioning away from Perl, but there was a lot of Perl code still in play. I had tried a number of other books and just couldn't "get it". The syntax wasn't the problem - it was the change in context. Very poorly explained in these other text. That early edition gave me enough insight to read and understand some Perl. I didn't need much as we were moving to another language at the time.Years later, I'm doing a lot of Python code. So, why even look at Perl now? Well, Python is going through a lot of changes right now. Some tools "prefer" 2.x, while others "recommend" 3.3+. Different modules work with specific versions, etc. A lot of what I do is administrative work. I have to assume a base level of tools to being work; and I do not want to rely overly much on the shell alone. Perl, warts and all, provides the tools needed, a guaranteed presence, and an easier integration path.This book helped me to "think" in Perl. This make it *a lot* easier to write efficient code and (more importantly) to debug the code written. Does this mean that I will give up Python (and Ruby)? Not a chance. Both are better OO based languages. (Yes, I know about Moose. I just prefer the other languages in this regard.) It *does* mean that I can safely replace a number of utilities with just one tool: Perl and like it.Perl has some warts, but it can be an effective tool in the right circumstances. This is an excellent book to understand how to use Perl - when it is necessary to do so.

This is the best book on Perl I have found so far. I have only finished the first 4 chapters to date (32% finished), but will for sure finish reading this book - I am learning alot, and enjoying it.I bought this book for my Kindle, and just love the author's style. The author gets straight to the point, without alot of fluff. The topics are broken down into manageable chunks, so it is easy to read one or two when you have a few minutes. I have no issues reading it on my Kindle (unlike some computer books), the only downside to the Kindle version is that (for me) it can take longer to look up pieces of information when I want to refer to sections of the book as a reference. But, that's a Kindle issue and not anything negative against the contents of the book itself.I love the examples in the book. The author's message is very clear, and easy to understand. Just when you think you know all of the Perl tricks, you read on and discover more. If there is a challenge in understanding an example, I can easily type it into my computer and try it for myself as the sample code snippets are quite short; however I found this is rarely needed.I believe this book is a great way to develop smart effective Perl code - with the correct calls, the correct structure, the correct debugging, the correct packages, the correct idioms, etc. In addition, I feel this book is a great tutorial on the Perl language itself (even if you have never coded in Perl before); the author steps through the topics in a carefully designed manner, and slowly introduces the various programming constructs of Perl.The only suggestion for improvement I have for the authors is to create exercises at the end of each chapter for users to apply some of the concepts learned. And, of course, I would appreciate answers to those exercises at the end of the book. Otherwise, it's a work of art. Thanks very much, and please continue writing more.

I have the first edition and have referenced it often in my journey working with Perl. This new edition is totally awesome! It really rocks! The comments that it has new material is true and it is great. But what really impresses me and makes this, in my opinion, a "must have" in your Perl library is that the original material has been so well recrafted...subtly and not with a lot of glitz...but ever so wonderfully. I've now read iti from cover to cover twice...it was a delight. And I've trully learned an unbelievable amount of things that never made sense to me in the past. Thumbs up...TWO thumbs up!

As a novice-to-intermediate learner of Perl, this is the first Perl book I've wanted to read cover-to-cover. Chapter 1 was glorious and chapter 2 is looking good. I'm a programming newbie in general, so often my code becomes messy, and this is helping me shorten down my code to more idiomatic Perl.If you are an intermediate learner or need to catch up with developments in 5.10+, I think you'll like this book.Some people noted that the code bits are display in a too small font on portable devices, and that's true. But it reads fine in Kindle on a computer, and my 5/5 rating is based on the actual book's content, with no deductions made for Amazon's lazy failure to publish files in readable formats.

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Kamis, 14 September 2017

Free Ebook Object-Oriented and Classical Software Engineering

Free Ebook Object-Oriented and Classical Software Engineering

What relation to the analysis publication activity is from the book, you can see and also comprehend just how the regulation of this life. You will certainly see just how the others will certainly stare to others. As well as will certainly see exactly how the literary works is developed for some entertaining significance. Object-Oriented And Classical Software Engineering is just one of the works by someone that has such sensation. Based upon some truths, it will certainly ensure you to open your mind and assume together regarding this subject. This publication appearance will certainly help you to make much better idea of reasoning.

Object-Oriented and Classical Software Engineering

Object-Oriented and Classical Software Engineering


Object-Oriented and Classical Software Engineering


Free Ebook Object-Oriented and Classical Software Engineering

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Object-Oriented and Classical Software Engineering

Product details

Hardcover: 688 pages

Publisher: McGraw-Hill Education; 8 edition (July 19, 2010)

Language: English

ISBN-10: 0073376183

ISBN-13: 978-0073376189

Product Dimensions:

7.5 x 1.3 x 9.4 inches

Shipping Weight: 2.6 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#681,321 in Books (See Top 100 in Books)

I got this book for my Software Engineering class, and have to say it is an easy read, and provides an in depth study on each topic introduced. It is hardcover (which is always a plus for me, I am not a big fan of paperback) and is not too large, where it is a pain to lug it around. The book is in color, which is nice for the many illustrations and diagrams presented in the text. In the end it is an easy read and has an in depth analysis on all the topics. While I got this for a class, I highly enjoyed it and plan to keep it for future reference.

As expected.

If you'd like, I can just plug my ears. Seriously, this book is so AWFUL, I can barely read it. Nothing is well explained. There are diagrams right in the middle of a flow of text (not in the good way). Let's start with the explanations, they throw 'terms' at you, like 'flow diagram' then barely explain how to draw one, or what the symbols mean. Then have problems asking for answers which are based on their vague explanations. Later they put those symbols in the middle of the text. Right where you can't read the text as easily. Not as a help, but as additional material. I am seriously considering contacting the chair of the department, asking this book not be used again. The internet is likely better resource.

Barely used it, really does a poor job covering UML.

This is a nice book to be used as a reference in software engineering. It has lots of information in the software engineering discipline.

Very good

Finally a textbook that is fun to read and written for someone without a technical background.Easy to read and very informative.

The book is needed in one of my classes. So I had to get it. The best part is that its stories and other explanation are easy to understand.

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Jumat, 08 September 2017

Ebook Free A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line

Ebook Free A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line

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A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line

A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line


A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line


Ebook Free A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line

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A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line

About the Author

Rudi Sodamin is the leading culinary authority of the oceans of the world. He has received several awards and accolades. He is the author of Holland America: A Taste of Elegance, and Holland America: A Taste of Excellence, among other books.

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Product details

Series: Culinary Signature Collection (Book 3)

Hardcover: 192 pages

Publisher: Rizzoli (September 14, 2010)

Language: English

ISBN-10: 0847833151

ISBN-13: 978-0847833153

Product Dimensions:

8.2 x 0.9 x 10.3 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#514,193 in Books (See Top 100 in Books)

Excellent transaction. Excellent condition. Perfect all around. A great item at a fantastic price. Words cannot describe my experience on Amazon as of late. The item bought was in excellent condition and served its purpose well. Nothing can compare and have nothing ill to say of it, nor do I have anything else to mention that needs concern. Highly recommend for anyone who shops on the internet! Amazon is always the best!

Same great quality as Volume II. This cookbook is geared more toward specific holidays/special occasions and an entire meal is presented for each occasion. I expected it to be more like "A Taste of Elegance", so was a little disappointed. It's still an excellent cookbook that will be used to create many wonderful dishes from Chef Rudi Sodamin. Anyone that has cruised with HAL and loves to cook will appreciate this compilation of delicious recipes. Looking forward to Volume IV(Appetizers) being released in June 2012.

We've been on multiple cruises with Holland American. Their food is great. I was so looking forward to recipes in order to make some at home.

Outstanding recipes. Gave as a gift after being on a cruise with Holland America Lines. Superb dining.

Beautiful photos with each recipe. Tested recipes aren't too complicated. Enjoyable cookbook just to read and browse through for inspiration.

As a Holland America cruiser, this book taked me back again to my many cruises. Memories not forgotten, dreams relived.

Nice Cookbook !!!

I was on this cruise line for vacation and wanted to purchase the cookbook. As I didn't want to carry it home, I asked if I could purchase it at their web site or order it on the ship and have it sent. I was told that neither of those were an option. I had to buy the books there or go without. A friend suggested Amazon. So at home I tried Amazon and found the book for less money than they were selling it. I'm very happy with my purchase. Thank you Amazon!

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A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line PDF

A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line PDF

A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line PDF
A Taste of Celebration Cookbook: Volume III: Culinary Signature Collection, Holland America Line PDF

Minggu, 03 September 2017

PDF Ebook Creative Haven Country Scenes Coloring Book (Adult Coloring)

PDF Ebook Creative Haven Country Scenes Coloring Book (Adult Coloring)

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Creative Haven Country Scenes Coloring Book (Adult Coloring)

Creative Haven Country Scenes Coloring Book (Adult Coloring)


Creative Haven Country Scenes Coloring Book (Adult Coloring)


PDF Ebook Creative Haven Country Scenes Coloring Book (Adult Coloring)

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Creative Haven Country Scenes Coloring Book (Adult Coloring)

About the Author

Dot Barlowe — who formerly collaborated with her late husband, Sy — has created more than 50 Dover titles. Dot specializes in nature themes, and her incredibly detailed drawings attest to her meticulous research. The extent of her 80-plus years of knowledge about animals and botany is surpassed only by her enthusiasm.

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Product details

Series: Adult Coloring

Paperback: 64 pages

Publisher: Dover Publications; First edition (April 16, 2014)

Language: English

ISBN-10: 9780486494555

ISBN-13: 978-0486494555

ASIN: 0486494551

Product Dimensions:

8.2 x 0.2 x 11 inches

Shipping Weight: 7.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

459 customer reviews

Amazon Best Sellers Rank:

#24,596 in Books (See Top 100 in Books)

I will likely just give this book away. The print is very poor compared to other books I've had. A lot of jagged lines thru everything. It would be hard to even color. Not happy with this at all.

 The designs in this coloring book have a wonderful hand-drawn sketch look to them which is quite lovely. The designs are of animals, buildings and landscape that one would see in the country. These are scenes of everyday life which have a peaceful nature to them.The designs are detailed and in some few instances have intricate and small areas to color. Because they are hand-drawn, there are some few disconnected lines. I expect that in a sketch and have found that, if necessary, I can use a small nib black gel pen to connect lines. For the most part, I don't bother with it and just go with the flow of the sketch nature of the design.This is a lovely book to color in when I want to relax. Not only is it fun to color, the scenes are so peaceful and inviting, it ix a restful experience.This is what I experienced while coloring in this book and testing the paper with my coloring medium.31 Beautiful Designs inspired by the countrysideThe designs are printed one side of the pagePaper is the usual Creative Haven quality: white, medium weight, slightly rough and has perforated pages.Glue Binding but with perforated pages so removing a page is fairly simple.The designs stop well before the perforations.Alcohol-based markers bleed through this paperWater-based markers bleed through in spots and show colorful shadows on the back of the pageGel pens and India ink pens leave shadows of color on the back of the page. India ink pens can bleed through when I apply more than one layer of ink.Coloring pencils work well with this paper. I was able to get good color lay down, layer the same color and multiple colors and to blend easily using a pencil style blender. I tested both oil and wax-based pencils with similar results. Hard lead pencils, like Verithins, leave dents on the back of the page.I suggest either removing pages from the book to color or using a blotter page under your working page. I like card stock as it keeps ink from seeping through and damaging the pages below.

I purchased this for my daughter-in-law who is staying at home with my 3 month old grandson. They don't have cable (an unnecessary expense for new parents with 1 income...I'm proud of them!), and she often complains of being bored while the baby sleeps. Problem solved! She loves it. I have ordered 2 more for her. I'm happy to pass along a non-electronic hobby to the next generation!

I love these adult Coloring books and this is one of the first ones I have tried and they are so relaxing and fun and they sure turn on the creative side me and it will surely do the same for you. It has a good variety of pictures to color and you can use colored pencils or sets of gel pens (my favorite so far), and let yourself go. The book's seller took no time in shipping the book and it arrived in good shape with no bent or creased pages. This was a good buy.

I loved coloring books as a child and low and behold I still love it just as much as an adult. I just completed my first page in this Country Scene book. Absolutely love this book. So many details and a variety of country life scenes to enjoy.

Nice coloring book with realistic scenery.

I really like the country pictures in this book since i am an adult and use blending pencils to color. I am on bed rest many days so this is a great way to entertain myself. The pictures are peaceful and well drawn for coloring purposes...so you have a lot of room for your own imagination and color blending...unlike books that are largely ink with little room for coloring. See the blended colors in the mountains and lake not the cover...that's what i mean......the artist can interpret much.

I bought several coloring books for my granddaughter who has recently gotten into coloring. She loves the country, so I thought she’d really enjoy this book. However, it’s a little too complicated for someone just starting out. Pictures are lovely depictions of country living – animals, farms, gardens – but they really aren’t drawn in a way where someone can just color the picture. It seems to me that they’re more of a template for a creative mind to blend colors and add their own individual style to come up with a complex painting. Drawings are on a single side, but gel pens do leak through a bit to the next page. However, the pages are perforated, so they can be easily torn out. You could also place a heavy sheet of paper underneath. I didn’t deduct any stars for this book because I think it’s really nice with a good range of pictures. It’s just not the best book for a beginner. We’ll put this book aside until my granddaughter has a little more experience in blending colors, and then I think she’ll really enjoy it.

I used to complain that coloring books in this country were awful. All those large Disney animals, princesses and all kind of popular culture junk that might be good for a toddler with no motor skills, but uninteresting for bigger kids (or adults). So I bought coloring books abroad as often as I could. Unfortunately, in the past few years, other countries started buying from the same Chinese sources the U.S. bought and I just gave up. I was delighted to see this.The paper quality could be better, some of the pictures could have even more details, etc. But boy am I happy to see a move back to the old days coloring books! I like small details, but I do not like to color prisms or "church windows," kind of pictures. I like SCENES and this one comes pretty close to very good. For that effort, I give 5 stars.

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Free Download Red Famine: Stalin's War on Ukraine, by Anne Applebaum

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Red Famine: Stalin's War on Ukraine, by Anne Applebaum

Red Famine: Stalin's War on Ukraine, by Anne Applebaum


Red Famine: Stalin's War on Ukraine, by Anne Applebaum


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Red Famine: Stalin's War on Ukraine, by Anne Applebaum

Review

"Applebaum's account will surely become the standard treatment of one of history’s great political atrocities. . . . She re-creates a pastoral world so we can view its destruction. And she rightly insists that the deliberate starvation of the Ukrainian peasants was part of a larger [Soviet] policy against the Ukrainian nation. . . . To be sure, Russia is not the Soviet Union, and Russians of today can decide whether they wish to accept a Stalinist version of the past. But to have that choice, they need a sense of the history. This is one more reason to be grateful for this remarkable book."—Timothy Snyder, Washington Post“Lucid, judicious and powerful. . . . The argument that Stalin singled out Ukraine for special punishment is well-made. . . . [An] excellent and important book.” —Anna Reid, Wall Street Journal“Applebaum chronicles in almost unbearably intimate detail the ruin wrought upon Ukraine by Josef Stalin and the Soviet state apparatus he had built on suspicion, paranoia, and fear. . . . Applebaum gives a chorus of contemporary voices to the tale, and her book is written in the light of later history, with the fate of Ukraine once again in the international spotlight and Ukrainians realizing with newly-relevant intensity that, as Red Famine reminds us, 'History offers hope as well as tragedy.'”—Steve Donoghue, Christian Science Monitor“A magisterial and heartbreaking history of Stalin’s Ukrainian famine.” —Simon Sebag Montefiore, London Evening Standard   "Powerful. . . . War, as Carl von Clausewitz famously put it, is the continuation of politics by other means. The politics in this case was the Sovietisation of Ukraine; the means was starvation. Food supply was not mismanaged by Utopian dreamers. It was weaponised. . . . With searing clarity, Red Famine demonstrates the horrific consequences of a campaign to eradicate 'backwardness' when undertaken by a regime in a state of war with its own people."—The Economist“Anne Applebaum’s Red Famine—powerful, relentless, shocking, compelling—will cement her deserved reputation as the leading historian of Soviet crimes.” —Daniel Finkelstein, The Times (London)“Chilling, dramatic. . . . In her detailed, well-rendered narrative, Applebaum provides a ‘crucial backstory’ for understanding current relations between Russia and Ukraine. An authoritative history of national strife from a highly knowledgeable guide.” —Kirkus Reviews (starred review)

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About the Author

ANNE APPLEBAUM is a columnist for The Washington Post, a Professor of Practice at the London School of Economics, and a contributor to The New York Review of Books. Her previous books include Iron Curtain, winner of the Cundill Prize and a finalist for the National Book Award, and Gulag, winner of the Pulitzer Prize for Nonfiction and a finalist for three other major prizes. She lives in Poland with her husband, Radek Sikorski, a Polish politician, and their two children.

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Product details

Paperback: 608 pages

Publisher: Anchor; Reprint edition (September 4, 2018)

Language: English

ISBN-10: 9780804170888

ISBN-13: 978-0804170888

ASIN: 0804170886

Product Dimensions:

5.2 x 1.2 x 8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

104 customer reviews

Amazon Best Sellers Rank:

#37,082 in Books (See Top 100 in Books)

Applebaum does an extraordinary job of unearthing a history that has been purposefully obfuscated and buried in a most deliberate manner. Her style is to look at archives, but also rely quite a bit on oral history. The oral histories are woven throughout the chapters of the book.It is a constantly repeating litany. The Holodomor was not a onetime thing. It was a culmination of a series of famines induced by Soviet policy, starting from the very beginning of the Soviet Union. One learns a great many things from this book.The first thing one observes is the traditional Russian disdain for the Ukrainians. Although they were part of the Empire, even under the tsars, their language was depreciated, not respected, treated as a mere dialect of Russian. As a guy who speaks Russian but hasn't managed Ukrainian even after ten years, I can testify that this is absolutely not true. The people were regarded as uncouth peasants. It is true that Ukrainian was the language of the peasants because the Russians had been more successful in forcing Russian as a language in this upon the cities and the eastern countryside.The disdain for which, in which the Russians held Ukrainians is echoed in today's media. The people in America who would support Putin, such as Paul Craig Roberts, Ron Paul, the Unz review, the Saker and others, go out of their way to disparage Ukrainians. They called the leadership in modern Ukraine fascists, corrupt oligarchs, and so on. The habit of putting down Ukrainians seems to be deeply ingrained and of very long-standing, going back more than a century.Ukraine's geography features few natural geographical boundaries. The most formidable, the Carpathian Mountains in the Southwest are not very tall or rugged. Otherwise there is nothing but forest and steppe. Ukraine has been invaded from all sides since time immemorial.Applebaum correctly says that the relationship of the Ukrainian language to Polish and Russian is rather similar to that of Italian to Spanish and French. I the reviewer note that just as Italian a somewhat closer to Spanish, Ukrainian is somewhat closer to Polish. It is distinct enough from Russian that I, a Russian speaker, cannot get by Ukrainian. A good many Ukrainian words, such as onion, tomato and color, are cognates of Polish and Western European languages, not Russian.Ukrainians always maintained a unique identity, even under the Poles and the Russians. Their language was recognized as different, at least a strong dialect. Their music, food, and way of life were different.Voltaire noted that the Ukrainians long to be free, their own masters, even when they were under the yoke of Poland and Russia. Nevertheless, they acquired some of the features of their overlords. Russian orthodoxy held sway in the East; the Catholic Church in the West.Ukrainian was the language of the countryside; Polish, Russian and Yiddish were the languages of the city. The Ukrainians resented them all. They shared the anti-Semitism of Poles and Russians.When Alexander II manumitted the serfs in 1861 it had a disproportionate effect on Ukrainian speakers, who made up a large share of the Russian Empire's peasant class. This sparked the sense of Ukrainian identity. Ukraine produced its first native language poet, Taras Shevchenko.Recognizing the threat that the Ukrainian language posed, successive tsars refused to recognize its legitimacy, even as they allowed national languages and other parts of the Empire.The period prior to World War I saw nationalist sentiment rise almost everywhere. Ukraine was no exception. The tsars had to backpedal and grant Ukrainians a fair amount of civil liberty, including significantly the right to use the Ukrainian language in public.The collapse of the two bordering empires, Habsburg and Russia, at the end of World War I gave Ukraine its moment of opportunity. It declared independence. The Poles quickly put that to an end in the West, annexing Galicia and Volyn at a cost of 10,000 Polish lives, 15,000 for the Ukrainian defenders. The situation in the East was more complex.The series of famines started during the period of Ukrainian independence in the wars between the declaration of the Soviet Union in 1917 and the final conquest of Ukraine in 1921-22. The battles were fought back and forth.The Ukrainians and the Soviets were up in arms against the rich landowners. Class warfare, socialism, had been a hot theme for the prior 50 years of tsarist rule.Virulent ideology turned out to be a problem. Anarchy cannot manage an Army. The various factions of peasant rebels were unable to effectively fight a war. Although the Bolsheviks were fairly universally feared and despised in Ukraine, the Ukrainians were never able to pull themselves together to decisively repel them. In particular, their anti-bourgeois attitudes made it difficult for them to form alliances with the White army, which was an aristocratic affair, and bias against Russians excluded Russian peasants who were also fighting the Bolsheviks. It was general chaos. The revolutionary theory of redistribution of all wealth was something that left no people with education and ability in charge, and alienated people who were who could not be counted among the poor peasants.There are a couple of useful maps in the beginning of the book. The most telling is the one showing where the deaths occurred throughout Ukraine. Overall Applebaum estimates that 13% of the population died, and most of the provinces averaged 10 to 15% mortality. This was other sources would lead you to believe that the deaths were concentrated in the steppe region. No – the Kyiv oblast, which is in the north, suffered 20% mortality. Actually, the Donbass came off better than the others. It was already more industrial, especially on dedicated to coal production, and the Soviets could not afford to kill their industrialization. Moldova, then the province of Ukraine, suffered. The westernmost provinces of Podolia and Volyn, not extending as far as today's Lviv, then in Poland, suffered just as much as the rest.Applebaum assigns the blame more to Stalin than anybody else. Stalin conceived the plan of collectivization and was single-minded about its implementation. Despite wave after wave of protests from people, including our people in the party hierarchy, he refused to waiver on his commitments to collectivization. Collectivization deprived the individual farmers of their own private property. Everything, houses, car cows, fields and such went into the collective. The individual owns nothing. It was very dispiriting, and they simply refused to work in large measure. There was also a great deal of theft. What belongs to everybody belongs to nobody. Writing now in 2017, I would either reviewer often hears anecdotes from the Soviet times about just such theft. Our people they had no compunction about stealing from the state.Applebaum claims that Stalin knew of the effects of his policy. The observation is that the Ukrainians were unreliable and had to be decisively broken. They had been obdurate, rebellious, in tsarist times, during the first years of the USSR, and even in the 1920s. Applebaum quotes a historian, a certain Lemkin, as saying that genocide involves doing away with not just the genome but the culture, history, literature, language – everything associated with a people. Stalin took strong measures in every direction. The intelligencia, especially Ukrainians, suffered the most. Jews, having no agricultural land, and Germans and Poles, having external connections, suffered somewhat less.The Soviet methods even of 1917 echoed the Russian methods of today. They set up local committees, ostensibly autonomous, but in fact puppets of the Russians, to stage a phony revolution or mount a phony protest, after which the benevolent Soviet government (today, Russian) hastens to recognize this "legitimate" manifestation of the will of the people and to provide it armed support. The Soviets also were experts at dividing, setting people against people. Applebaum goes on at length about how the poor and middle class peasants were set against the Kulaks, the richer peasants. In the end, however, there was no hard line, there could not be. More and more of the middle and even the poor peasants became categorized as Kulaks. If they did anything against the regime, they were automatically classed as Kulaks.The measures used confiscate grain already in use in the time of the Ukrainian wars of 1918 -21 were quite severe. Roving bands of armed "war communists" would confiscate what they could from the peasants. She described it getting worse and worse, finally, in the last chapter, the Holodomor itself, they use long metal rods to poke and probe everything, probing behind walls in cemeteries in attics behind icons in every conceivable place where there might be food hidden. They would investigate fresh dirt. Apparently there were lots of people involved in the searches, and as the searchers themselves were often quite hungry, they were highly motivated to search. She talks some of her interviews with the survivors among these activists show that they had to psychologically dehumanize the Kulaks in order to force themselves to perform these unpleasant tasks.In addition to being starved, a great many were forced forcibly moved. Many went to the Soviet Far East. This includes my father-in-law's family, who spent a couple of generations on Sakhalin Island on the East Coast of Russia. Others who stayed died; my wife's great-grandfather among them. Her grandmother still speaks bitterly of the experience.One of the amazing things is the brotherhood of nations, Druzhbi Narodi theme that the Russians have played throughout the history of the Soviet Union. In Kyiv there are there remain a memorial arch to the friendship of nations and a large street named for it. So strong was the Soviet propaganda that a couple of generations had more or less forgotten the horrors of the Holodomor. However, the current war with Russia has revived the memories.Speaking of memories, one of the things that Applebaum makes clear is that the Soviets did their best to extirpate all memory. During the 1920s they had allowed a revival of Ukrainian literature and the development of Ukrainian language dictionary, orthography, and philology. All of that was ruthlessly repressed in the 1930s. It remained so until the fall of the Soviet Union in 1991. Many of those books did not survive. Certainly, the scholars did not – and great many of them met bitter ends. My son is attempting to learn Ukrainian folk music. There is not that although there are books of folklore and folk songs, a vast amount was lost. Among the things that were lost was the tradition of village singing, of village of strolling minstrels and so on. There are two touching movie documentary movies called Bozhichi and Bekandor showing what is left of it. It is heartrending that some of the traditional songs that they sing glorify Stalin. That is how thoroughly their history was cleansed.Applebaum's describes the people who are the activists the 25,000 whom sent by the Soviet Union to enforce collectivization and to confiscate grain in Ukraine, as consisting of local activists, Russians, and Jews. She doesn't play down the Jewish involvement very much. She assigns Lazar Kaganovich a less important role than other historians. Kaganovich was Stalin's right hand man in Ukraine for quite a period. She credits him with having protested to Stalin that the collectivization and the green levees were too severe.The imposition of internal passports came late in the game, in the winter of 1933. This forced peasants to remain on the land. Whereas they had previously been fleeing in large numbers to the cities, across the border to Russia where things were better, and escaping the country, the system of internal passports meant that if they were discovered anywhere other than where they were supposed to be, they could be imprisoned, shot, or sent back. Basically they were condemned to remain on the land until they starved.Soviet propaganda, supported by a reluctance of outside governments to confront the Soviet Union and later Russia itself, kept the truth about the Holodomor from being discussed for most of the 58 years leading up to the end of the Soviet Union. In her last chapter Applebaum describes various attempts, in history and fiction, to portray what happened. It is, however, only in the quarter century of Ukraine's independence that the story can be fully investigated. She gives credit to prior authors, but there was a lot of new material for her to work.Her outline tells the story of the buildup, the Holodomor itself, and the aftermath in chronological order.1     The Ukrainian Revolution, 19172     Rebellion, 19193     Famine and Truce, the 1920s4     The Double Crisis, 1927– 95     Collectivization: Revolution in the Countryside, 19306     Rebellion, 19307     Collectivization Fails, 1931– 28     Famine Decisions, 1932: Requisitions, Blacklists and Borders9     Famine Decisions, 1932: The End of Ukrainization10   Famine Decisions, 1932: The Searches and the Searchers11   Starvation: Spring and Summer, 193312   Survival: Spring and Summer, 193313   Aftermath14   The Cover-Up15   The Holodomor in History and MemoryEpilogue: The Ukrainian Question Reconsidered

This is a serious, very fully-researched history of Ukrainian aspects of the early 1930s famine in the Soviet Union.Anne Applebaum looks back to the 1917 revolution; the protracted civil war that followed; Stalin’s infamous role in Tsaritsyn (Stalingrad/Volgograd) in the procurement of grain to feed Moscow and other northern cities; a serious famine of 1921 (for which international relief was requested and received); and the New Economic Policy of 1922-28, all of which are relevant.The farm collectivization program that began in 1928 and the simultaneous ‘liquidation’ of the kulaks (peasants sufficiently prosperous to employ labor) are generally credited with having led to the famine. Applebaum thoroughly reviews the background to both of those – and absolutely correctly adds the consideration of grain and other farm products having been requisitioned not only to feed the fast-growing cities, but for export to earn hard currency. Those exports continued throughout the famine years.The famine itself is of course well covered. So, to the book’s great credit, is the famine’s aftermath – right through to the present. Applebaum’s suggestion that the famine’s impact on demography and political thinking remains of significance today in both Russia and Ukraine is likely to be regarded as among the more controversial aspects of the book, but her case is well made.Unlike the 1921 famine, the 1930s famine – it peaked in 1932-33 – was consistently denied by the Soviet Union on the international stage. At most, there was ‘acute food shortage’, ‘food stringency’, ‘food deficit’ and ‘diseases due to malnutrition’. The fact of the famine is now widely accepted, and the numbers who died mostly subject to only minor quibbles (Applebaum presents an estimate of around 5 million Soviet citizens, of whom rather more than 3.9 million were Ukrainians), but whether or not the famine was specifically targeted at the Ukrainian nationality and culture or, alternatively, at peasants as a socio-economic group, remains controversial, and will perhaps never be resolved.One reason for the controversy is that if either the Ukrainian or the peasant group were specifically targeted, the charge of genocide can be laid at Stalin’s door. The evidence is contradictory, however. Ukraine was far from being the only Soviet republic subjected to farm collectivization and it was not the only one to suffer severe shortage of food, or even a catastrophic death rate.On the other hand, the late 1932 ‘blacklisting’ of farms, villages and whole districts, shutting down all trade, such that the inhabitants could not grow, prepare or purchase anything at all to eat, was applied earlier, more widely and most rigorously in Ukraine. In January 1933 the republic’s borders were closed, preventing movement of the starving out of Ukraine; and in February an unconditional ban on the issue of any travel document, so that no peasants could leave their village, was implemented in Ukraine alone.Applebaum makes no riddle of where her sympathies lie with respect to what she sees as a continuum of imperialist aggression by Russia towards Ukraine, but she nevertheless does a competent and essentially even-handed job of setting out her story. Readers not already familiar with at least the bare facts of the famine years are likely to be deeply shocked. We can argue about genocide – as defined by a United Nations resolution – and at which group, if any, the famine was targeted, but there can be no question about there having been a succession of crimes against humanity and that the ultimate responsibility was Stalin’s.

I beg you to read this long, beautifully written but very difficult book.Why is it difficult? Because reading so much evidence about how terrible people can be to one another is not to everyone's taste.This is the story of how Joseph Stalin deliberately caused the deaths of 3.9 million Ukranians in 1932-33 and how thousands of ordinary Russians and Ukranians helped him do it. As Ukraine failed to meet Stalin's impossible targets for grain production, to feed Russian citizens and for export, Stalin sent thousands of young Russians to search farms (though some couldn't tell a colt from a calf) and to find food—not huge caches of hidden grain, but bits of bread, meet and eggs that were keeping families alive.And so they starved—men, women and children. Western diplomats in Russia looked away, and western reporters, with two astounding exceptions (Gareth Jones and Malcolm Muggeridge) knew what was happening but denied there was a famine. Since western aid might have saved some of the dying, this was surely the greatest journalistic crime of the 20th century.The great Robert Conquest first told this story 30 years ago. And now, Anne Applebaum, accessing sources not available to Conquest, tells the story again in another great book. To know how great this work is, just look at the footnotes—the sources in English, Russian, Ukrainian, Polish, French. The patient accumulation of small details that paint the whole ghastly picture.Read this above all to know another chapter in the annals of large-scale human misbehavior. Read it to learn about brave people who were calm or generous in the face of death and others who were inhuman to them. And read it to appreciate the work of one of the greatest and hardest-working historians of our time.

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Download PDF Portraits from Life in 29 Steps, by John Howard Sanden

Download PDF Portraits from Life in 29 Steps, by John Howard Sanden

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Portraits from Life in 29 Steps, by John Howard Sanden

Portraits from Life in 29 Steps, by John Howard Sanden


Portraits from Life in 29 Steps, by John Howard Sanden


Download PDF Portraits from Life in 29 Steps, by John Howard Sanden

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Portraits from Life in 29 Steps, by John Howard Sanden

From Library Journal

These two fine books on portraiture complement each other nicely. Sanden, a true master of the genre, has created more than 500 portraits of prominent people and is considered one of the foremost teachers of the art. He has developed a 29-step method for painting a complete pictureAin just one sitting. His premier coup technique combines immediate impression and final effect. At the heart of the book are two complete demonstrations ("The Bishop" and "Nigerian Lady") wisely chosen for varieties in skin, hair, and tones. For those interested in other media and in more basic instruction, Wolf has assembled an excellent compendium of the work of more than a dozen artists and authors. Eyes, noses, and ears get individual attention, as do the different stages of life, from infancy to maturity. The book also features methods of drawing figures in motion and within a broad variety of settings. A fine multimedia and multicultural effort. Very reasonably priced, both books are highly recommended. Copyright 1999 Reed Business Information, Inc.

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About the Author

John Howard Sanden's career as a portrait artist has spanned three decades. Since moving from the Midwest to New York City in 1969, he has been called upon by more than 500 of the nation's public and business leaders to portray them in his striking painting style. (In a 1991 New York Post, popular columnist Pete Hamill said that "John Howard Sanden is the closest we have in America to fit the old role of court painter.") Sanden is widely regarded as the foremost teacher of professional portrait methods in the world today. Founder of the Portrait Institute of New York, he has toured the nation teaching his ideas and techniques to thousands. His books and videos have extended his teaching even further. In a 1984 article in Profile, the magazine of the American Portrait Society, the Society's president wrote, "John Howard Sanden may well be the best known name in contemporary American portraiture." On May 29, 1994, the American Society of Portrait Artists presented Sanden with their first John Singer Sargent Medal for Lifetime Achievement.

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Product details

Hardcover: 143 pages

Publisher: North Light Books (August 1999)

Language: English

ISBN-10: 0891349022

ISBN-13: 978-0891349020

Product Dimensions:

8.8 x 0.8 x 11.2 inches

Shipping Weight: 1.9 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#526,732 in Books (See Top 100 in Books)

Picked it up at local library; very happy with content. Decided to purchase used. Has a lot of good points for portrait artists who are already on their way in this genre. I am going to mix my own colors for skin tones using this book as it has instructions on colors used to get Sanden's recommended flesh tones. If you have a good sense of warm, cool, light, dark, etc., this book takes some of the fear out of jumping in and doing portraits. Great reference for me as I like starting on white canvas.

The first time I paged through this book, I was struck immediately by Sandin's obvious abilities as a portrait painter, but even more, I was enchanted with the bold crispness of his alla prima paintings and demonstrations. I so envy the confidence, technical skill, and freedom that such paintings radiate. I was also struck at once by the seeming contradictions through out the book. Could someone who looks like a doctor, paints in a tie and lab coat in a pristine, lavishly furnished studio really produce such dramatically rendered work? And then there are the 29 steps mentioned in the title. Twenty nine? Not thirty? Not twenty? And finally, the author's "Pro Mix" paint system seemed a little like a paint-by-number approach. But now, having read this beautiful book dozens of times and painted several portraits under its guidance, I can recommend it without hesitation.Mr. Sandin has made me understand the importance of discipline in what I do as an artist. His insistance in following a routine (the 29 steps) and using predicable, tested color combinations (his pro mix system) are part of this lesson. Through out the book, he hammers on the concept, "...marshall all your concentration, alertness, and energy so that every stroke of the brush becomes part of the finished statement....concentrate all you effort upon getting it right the first time..." It took awhile and a number of readings before I begin to truely understand, but now my portraits are dramatically improved because of this approach.As you have read in other reviews here, Mr. Sandin references his color mix system throughout the book. At first I found this inconvenient, since it was necessary to constantly turn back to the part of the book where the mixes are explained. However, this was easily solved by painting a color chart using the mixes, labelling them with his color mix names, and putting it next to my easel. He recommends this as an essential exercise, and I agree. Not only did I create a conversion chart of his mixes, but I learned a lot about cooling, warming and nuetralizing colors. I haven't bought the Pro Mix system, yet I have had great success with his color approach. Don't let this issue keep you from having this invaluable resource book.I am painting more, and having greater success because of Mr. Sandin's emphasis on discipline in the painting process. It is a constant struggle -the urge to dabble and fuss is powerful - but I constantly remind myself of his direct and controlled process and my paintings are better and better.

Within the narrow scope of portraiture for the well-to-do, Sanden is the best, and he knows how to teach; the book is as methodical as he is. And his paintings look great- the epitome of a sort of smooth and buttery '50s illustrational style, like Haddon Sundblom, but tighter- very disciplined and technically acccomplished, yet lyrical. Any objections to Sanden's seeming promotion of his "Pro-Mix" brand of paints are unfounded (that's where you order a box of pre-mixed colors made by a company which has a deal with the author). He tells you exactly how to mix the colors yourself out of the usual tubes of paint you can buy in any art store, so you can either order them pre-mixed, or do it yourself, so where's the problem? The delight of this book is looking at the step by step demonstrations of all those juicy, painterly pictures of people with lots of personality. His two hour sketches are beauties (more "artistic" than his finished commissions). I got a lot out of the book, most of which is the wisdom of the ages anyway, but stated in a no-nonsense fashion (maybe a little dogmatic in a few instances, but the guy does a certain style and he has his game down pat, so just pick what you need). Sanden's work is aimed at the tastes of those who have become CEOs, Church leaders, and heads of State, and is frankly corny (unless, like me, you are so modern you get off on that) but his revealing demos really explain the dazzling virtuosity. If you're serious about painting heads, this belongs on your shelf. In and of itself, it won't teach you to paint, but what will?

Nice book if you want to break down painting and colors into a somewhat mathematical system. Extremely structured. That might be a blessing for some and a big help for others it could be a nightmare however - if open minded everyone can learn something from that book - there's no daubt - whether beginner or master.

Thank you, Mr Sanden, for sharing all your secrets. The very detailed steps and close up views are worth the price of the book. It would have been remiss not to share your paints, created to make portrait painting quicker and easier. To those who wish to mix your own paints, the instruction by a gifted portrait artist is still priceless. If I could only own one art book this would be the one.

This is a very good book, with basic principles presented in a rationale manner. Especially the view of the head as a sculpture showing the values by illuminating the carved statue of the head. The full effects of this book cannot be appreciated without using the promix system, and the DVD that corresponds to the book. You need to have both of these to obtain maximum information. Overall I would rate this book and the DVD that corresponds to it as very good and informative. I am still practicing the techniques, so a complete analysis cannot be made for about one year. At this point it is worth the price of admission. This is a good book for an intermidiate level artist. This is not for a beginner. You need to know how to draw portraits first, especially with a long handled brush.

The name lured me in but I have found other books that were more informative. I feel that Sanden is encouraging artists to buy his special portrait blends. While these may be outstanding, many want to learn the combinations so as to create them themselve and thereby learn skin tones through trial and error. It is definitely not a beginner book and is a borderline intermediate level book

Really helpful in learning an established methodology for portrait painting.

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Jumat, 21 Juli 2017

Free Ebook , by Stella Clark

Free Ebook , by Stella Clark

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Product details

File Size: 687 KB

Print Length: 125 pages

Publication Date: March 17, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07PSJHMBN

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#6,852 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

"The Jilted Bride" is the story of a young woman who wanted to get married to escape an abusive Parent. She gets the Matiromial Times thrown at her by her abusive father. You continue reading and enjoy this story by Stella Clark.🤗

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