Free PDF Blabber Blabber Blabber: Volume 1 of Everything, by Lynda Barry
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Blabber Blabber Blabber: Volume 1 of Everything, by Lynda Barry
Free PDF Blabber Blabber Blabber: Volume 1 of Everything, by Lynda Barry
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From Booklist
Kicking off a series reprinting Barry’s complete comics oeuvre, this volume collects the earliest installments of Ernie Pook’s Comeek, a mainstay of alternative newspapers for more than two decades, as well as two books from the late ’70s and early ’80s. The earliest pieces rely heavily on absurdist humor, but Barry soon began deriving both laughs and poignancy from deftly limned characters (including Ernie Pook himself, who would swiftly vanish from the strip bearing his name). Barry’s embryonic drawing style is scratchier and rawer than her later work, although she’d never shake the rough-hewn quality that makes her art immediately recognizable. In introductions to each section, handwritten and drawn in the scrapbookish mode of her autobiographical examination of creativity, What It Is (2008), Barry discusses her influences, from Dr. Seuss to Robert Crumb, and traces her artistic evolution. The declining fortunes of the nation’s alternative newspapers prompted Barry to drop Ernie Pook in 2007; this retrospective serves as a reminder of what her fans have lost. --Gordon Flagg
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“ONE OF THE WORLD'S GREATEST CARTOONISTS.†―LAURA MILLER, SALON
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Product details
Series: Everything
Hardcover: 176 pages
Publisher: Drawn and Quarterly; First Edition edition (October 31, 2011)
Language: English
ISBN-10: 1770460527
ISBN-13: 978-1770460522
Product Dimensions:
8.6 x 0.9 x 11.1 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#633,228 in Books (See Top 100 in Books)
"Blabber Blabber Blabber Blabber: Volume One of Everything" is a simply stunning book from one of America's most brilliantly unique and visually distinctive alternative comic artists. This book chronicles Barry's difficult and transformative early years struggling with problems at home and finding a release in comics. Long before Marlys, there were "Two Sisters," "Girls and Boys," and "Ernie Pook's Comeek" plus much, much more.I reveled in Lynda's early work, and found her one-off comics to be among my favorites. I was particularly entertained by the skewering of the then-popular "you might be an artist" advertisements on p. 14 ("You may have hidden artistic talent!") and especially the humor test I chose for my title (P. 15.) Lynda's peculiar style, her constantly changing use of fonts and spellings, and dabbling with surrealism (see especially the dueling cacti on p. 17) make for a great read. I've always thought of Lynda as a kindred spirit, and anyone from any age can find something to delight in here.This book really takes me back in time, and I couldn't have enjoyed it more. Lynda, sincere thanks to you! Now can you get the next collection out please? I can't wait!
The first in a series of way-highly anticipated volumes that will collect Lynda Barry's entire comics oeuvre, Blabber Blabber Blabber starts at the very beginning (well, Duh), with Barry's unique, sometimes eccentric, often enthralling use of language already in evidence. Her funkily expressionistic, often raw drawings display a seemingly tossed-off skill and employ far more formalistic techniques and experiments than I'd remembered from back in the mid-80's when I used to read and reread her first book, Girls and Boys (collected here in its entirety) over and over. Very cool also to have a look at the full-year run of her never-collected-before comic strip "Two Sisters" from an early 80's paper in Seattle - it's really interesting work, often quite funny, with a wonderfully surreal bent. Barry's introduction and notes throughout tie these, her earliest comics, in with the work she is doing today, not only placing it all in context but demonstrating the trajectory of an artist's career - that in the end it is all of a piece. D&Q did a wonderful job producing this handsome keepsake volume. I eagerly await the next couple in the series, especially as my copies of her great 2nd and 3rd collections, Big Ideas & Everything in the World, are falling apart.
Lynda Barry had a troubled youth: her parents divorced when she was twelve; she did drugs, found herself at loose ends. Then at sixteen, she got her act together. The intervening hard knocks inform her work and provide perspective and bite. One can imagine her as a seventeen year-old in a Trailways Bus Depot sizing up the other passengers and nailing them with her acerbic drawings. She hits dead center nearly every time. Following her auspicious start on her college newspaper, Barry became one of the leading comic strip artists in what we have come to call the alternative comics scene.The term is established, but it is not a good fit for her work. The term comes from the fact that her strips were published in the newsweeklies that sprung up around the country as alternatives to the mainline consumer newspapers, the papers that carried Donald Duck, Dick Tracey and Little Orphan Annie. In truth, those comic strips, which are all highly fanciful in their way, portrayed worlds that were far less real than the one Lynda Barry conjured up week after week.She dealt with life as it unfolds for those for whom life makes no sense, often from the view point of young girls as she did in her "Two Sisters" strip which is included in this volume. These are characters who would change place with Annie in a Seattle second.Lynda Barry stepped away from drawing her comic strips in 2008 as the alternative newsweekly market shrank to the vanishing point. Now she spends a good deal of her time teaching others how to do what she did, how to write, to draw, to tell their stories. She is very good at it. Her workshops are filled with men and women, old and young and in between, who swear by her. "Blabber" is the cornerstone of a publishing venture which will, when it is finished nine volumes from now, provide a comprehensive retrospective of Barry's work. What a gift. Future historians who attempt to write a social history of the U.S. in the late 20th, and early 21st Centuries without consulting this archive will do so at their peril. For a complete description of the contents of Volume 1, read the first two five star reviews of the book, those by "rudkr" and Jeddy 3. They are both knowledgeable about her her early comics. End note. Lynda Barry made a fan of me when I came across a copy of her 1994 coloring book, "Naked Ladies Naked Ladies Naked Ladies Naked Ladies." It contains 56 unique images which, together, comprise a deck of cards with four jokers. It convinced me that Barry intended to show her readers what it's really like out there. For more details check out the title on Amazon. There are still a couple of used copies for sale.
I loaned my copy of "Boys and Girls" to a friend and never got it back - I have missed that little book for almost 15 years now! Finally finding it in print here, along with all her other work, is just wonderful!It's actually a pretty beautiful book, if you like that kind of art! And Barry has scrawled personal notes on a lot of the pages providing a history of the material, which is very interesting and entertaining.BUY THIS BOOK!
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