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Group Improvisation: The Manual of Ensemble Improv Games
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About the Author
Peter Gwinn is the founder of the musical improv group Baby Wants Candy. After over a decade of improvising and teaching in Chicago, he moved to New York in 2005, where he played with The Stepfathers and Arsenal at the UCB Theater. Peter has taught at the Improv Olympic and UCB Theaters. He is currently a writer for the Colbert Report in New York.Variety called her one of the top ten women to watch in entertainment. Mike Myers named her the Uta Hagen of Comedy. Charna Halpern, the co-creator of long-form improvisation with her partner, the late Del Close, has changed the face of improvisational comedy forever. Halpern and Close created their famous signature long-form piece, the Harold, a meta-game that "ate" short-form improvisation and became popular worldwide. Halpern and Close have been responsible for creating the talents and sensibilities of some of the biggest comedic stars in show business. Together and apart, their alumni include John Belushi, Bill Murray, Gilda Radner, Mike Myers, Chris Farley, Tina Fey, Amy Poehler, Andy Dick, Andy Richter, Adam McKay, David Koechner and many other illustrious cast members and writers of Saturday Night Live, MADtv, Late Night with Conan O'Brien, The Daily Show and The Colbert Report. As director of i.O. in Chicago (formerly ImprovOlympic), and i.O. West in Los Angeles, Halpern recently celebrated her twenty-fifth year in business with the return of all of her alumni in a star-studded celebration in Chicago that will soon yield a DVD and a television special. Under Halpern s guidance, i.O. is producing the next generation of artistic geniuses. In addition to directing and teaching at i.O., Halpern travels the world teaching seminars in improvisation. She was hired by The American Embassy in Cyprus to teach her philosophy of agreement to the Greek and Turkish Cypriots in an effort to bridge their communication gap. Her first book, Truth in Comedy, is considered the bible for improvisation in the entertainment industry and is mandatory reading in theatre departments on most college campuses.
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Product details
Paperback: 137 pages
Publisher: Meriwether Pub; 2 edition (September 1, 2007)
Language: English
ISBN-10: 1566081386
ISBN-13: 978-1566081382
Product Dimensions:
5.5 x 0.5 x 8.2 inches
Shipping Weight: 0.8 ounces (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#510,650 in Books (See Top 100 in Books)
Clear, helpful advice and descriptions of theater improvisation games, then improv exercises, al written in a fun, engagement way. Any theatre classroom should use this book as reference (or any improve group), both to make sure they’re not missing any great games/exercises, plus it exemplifies the principles of improv. A+!
Fantastic book! So many great ides in this!
This book is a great list of exercises and does an excellent job of explaining clearly how to play them.
This is a great little book for newbies to the improv comedy world. It is easy to use and the games are fun. It gives great ideas on how to use them and is helpful for anyone wanting to take up improv or teach a beginner class.
I expected more... a bit shallow...
Great, thorough descriptions of lots of great group warm-ups and scene exercises. It's not a vast new continent of never-before-seen improv, but it's the clearest map I've ever seen of the very tricky terrain of group dynamics, which can make or break a performance group (or any group, for that matter). Peter Gwinn writes in a fun and playful conversational tone and the accompanying retro-tastic photos of improvisers at play are, frankly, adorable. I have met folks who trained with Gwinn, and now I join them in their wish to hug him for this contribution to the craft. Gracias!
...to Charna Halpern's "Truth and Comedy." Gwinn takes an actor-centric approach to long-form improvisation, developing characters the way Del Close intended them to be. He grounds his games in terminology befitting any advanced acting technique, exploring emotion and motivation over the tricks and gimmicks synonymous with shows like "Whose Line is it Anyway?"Gwinn has been performing and teaching at Chicago's Improv Olympic for nearly a decade, so he knows his stuff. That being said, as articulate as this book is, it should serve as a supplement, not a substitute, for first-hand experience or training in long- or short-form comedy improvisation.
This book is great for teaching the support and trust actors need to perform any form of theatre...invigorating games with levels of difficulty so they can be used for most any group. I've used it for aged 7 to 18 but it is great for adults as well, especially the more challenging games. Bravo!
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